Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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De Braekeleer Adrien
Le Retour du chasseur

ID: 31098

De Braekeleer Adrien Le Retour du chasseur
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De Braekeleer Adrien Le Retour du chasseur


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De Braekeleer Adrien

Belgian , 1818-1904   Related Paintings of De Braekeleer Adrien :. | Portrait of the painter Francisco Bayeu | The brothers Boldero | New Road | ett bra badstalle | Seashore |
Related Artists:
Louwijs Aernouts Elsevier
Dutch painter 1617-1675.
REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,
Thomas Stothard
English Neoclassical Painter, 1755-1834,English illustrator, painter and designer. He was one of the most popular, prolific and successful artists of his time and was highly regarded by such contemporaries as Thomas Lawrence and Walter Scott. He was the son of a prosperous publican and completed his apprenticeship as a silk weaver (1770-77), before studying at the Royal Academy, London (1777-c. 1783). From the beginning of his career, book illustration was his main area of activity. His earliest surviving works are in the decorative Rococo mode, but he soon adopted the more idealistic Neo-classicism of John Hamilton Mortimer and James Barry. Together with his friends and near contemporaries, William Blake and John Flaxman, Stothard developed an austere, linear style of draughtsmanship.






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